Queering the classics: a new vision for the old masters
As the old masters canon seems increasingly removed from the present, how do institutions make old works by predominantly all-white and all-male painters appeal to the new world? For New York’s Frick, the answer lies in working with contemporary artists to reinterpret the gender politics previously excluded from narratives of early modern art.
Dec 15 • Art DataAll Posts
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Questions For Sveva D’Antonio & Francesco Taurisano
Dec 08 • Questions for -
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On Photography and Black Representation
Nov 11 • Art Data -
Experiencing Frieze Week through the Lens of Digitisation
Oct 15 • Art Data -
Up Close and Personal: Three young African painters revolutionising portraiture
Sep 27 • Artist Spotlight
